*Looney
Tunes and Merrie Melodies: The years 1930 to 1969 are generally considered
to be the Golden Age of American Animation, and I grew up on a steady diet of
Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig, etc. What I loved particularly
about these series was that they combined two of my favorite mediums: comedy
and music. And the timing of Mel Blanc was nothing short of genius.
*Johnny
Quest: Are you fucking kidding me? A boy gets to travel around the world with his scientist dad, having
adventures. Oh, and he also got to hang out with a bad-ass pseudo-uncle with
one of the greatest action-hero names ever (Race Bannon), and his best friend,
a diversity hire named Hadji. He even got
to bring along his fucking dog. This was the life I wanted with my dad,
knowing all the while I was never going to have it.
*Schoolhouse
Rock: I shit you not. To this day I still wouldn’t understand any kind of
math AT ALL if it weren’t for Three is a
Magic Number, My Hero Zero, Lucky Seven Samson, and Naughty Number Nine. I can trace my inner history nerd directly
back to No More Kings, The Preamble, and
I’m Just A Bill. Thank you,
Schoolhouse Rock. You made learning not suck.
*Hong
Kong Phooey: You think you could get away with a title like that in our 21st
century, over-sensitive, politically correct culture? I admired HKP, not
because he was a clever, ass-kicking hero (he was a bungler who usually fell
ass-backward into success), but because he had a ton of heart. He believed in
himself, and that was all he fucking
needed. Plus, he was voiced by Scatman Crothers, who was in real life a lot
like his animated counterpart: a ton of heart.
And in the 70s (and very early 80s),
Saturday morning was also the time for live action adventure shows. Remember
the Krofft shows? Sid and Marty Krofft were Canadian brothers who, in the 60s, must have done some truly experimental psychoactive drugs, because that is the
only plausible explanation to some of the weird, trippy shit they dreamed up to
put on television, which I ate up with the same spoon I used for my Cap’n
Crunch. To wit:
Four wacked-out talking animals ( but not Snorky the elephant) hang out in their clubhouse ALL DAY and make music. And you're telling me they weren't toking it up when the cameras weren't rolling?
It is my firm belief that the Krofft brothers were telling us to our faces what they were up to here. A talking dragon named Pufnstuf, who lives in an alternate reality where things are glittery and bright all the time, and where a witch occasionally comes along and scares the shit out of everybody. 'Nuff said.
Motherfucking SLEESTAKS, y'all. I rest my case.
I'm a parent now, and so I worry like most parents that my daughter is getting too much screen time. But that's because there are so many more screens. If you're my generation, TV was the only game in town when we were kids. And yeah, we watched a lot of it, but then we got up off our asses and went outside. Because after every episode of Battle of the Planets, or Superfriends, or even Land of the Motherfuckingsleestak Lost, I wanted to get outside, grab a couple of my friends from the neighborhood, and go be the hero in those stories I just saw. You know: make some shit up. TV used to fire people's imaginations, instead of what a lot of it does today, which is make people feel better about themselves after watching a half hour of "reality," and people who are willing to say or do or be anything producers want, just so they can be on TV. That's not really feeling better about yourself, in my opinion. That's just looking for a bar lower than yours.
Give me talking dogs and falling anvils and, yes, sleestaks - any day.
Loved the Kroftt Brothers stuff. Saturday morning ritual in Australia too.
ReplyDeleteJohnny F-ing Quest, brother! Yes!
ReplyDelete